G9 Chord
G9 is a dominant seventh plus A, the ninth. Its full spelling has five different notes, so a practical guitar or ukulele grip may leave out a less essential chord tone.
- Notes: G-B-D-F-A
- Symbol: G9
- V9 in C major
- Seventh and ninth
G9
How to play a G9 chord
Notes: G - B - D - F - AG9
Root position
G - B - D - F - A1st inversion
B - D - F - A - G2nd inversion
D - F - A - G - B3rd inversion
F - A - G - B - D
Where does G9 belong?
In C major, G9 extends the V7 chord before it resolves to the tonic.
Play the role cards to hear how its surrounding chords change the job it does; Diatonic Chords explains the basic numbered roles.
- Dominant with a ninthV9
A V7 with the ninth on top: the same pull to C, a fuller sound.
CFG9V9C - Funk and blues homeI9
In funk and blues this is a home chord that never has to resolve.
G9I9C9G9D9
Progressions to try
- CFG9C
G9 is V9 in C major; its seventh keeps the dominant pull while the ninth adds another voice.
- G9C9G9D9
Treat the repeated G9 as a blues home chord, then hear the other ninth chords answer it.
Which shape should you use?
On guitar, start with the open 300001 grip. Let the open strings ring and keep any strings marked x silent. The 353435 shape gives you another position when the neighboring chords sit elsewhere on the neck.
On ukulele, start with 2532, played at the 2nd fret. The 10-9-7-10 grip moves the chord to another register. Compare its sounded notes with the full five-note spelling above.
On piano, spread the five-note spelling across both hands: G-B-D-F-A. Move G up an octave to reach the first inversion, B-D-F-A-G; the notes remain the same while the lowest voice changes.
What are the inversions?
The first four notes, G-B-D-F, form the dominant seventh. A adds the ninth.
- Root position: G-B-D-F-A, with G lowest.
- First inversion: B-D-F-A-G, written G9/B if B is lowest in the whole arrangement.
- Second inversion: D-F-A-G-B, written G9/D if D is lowest in the whole arrangement.
- Third inversion: F-A-G-B-D, written G9/F if F is lowest in the whole arrangement.
- Fourth inversion: A-G-B-D-F, written G9/A if A is lowest in the whole arrangement.
A slash chord names the note in the bass, not merely the lowest note under one hand. Chord Inversions shows how to read that distinction.
How does G9 differ from G7?
Remove the ninth, A, and the remaining notes form G7. The seventh stays, so both chords can still pull toward the same tonic. Try that one-note change on piano, then use the comparer to hear it in the full chord. See G7 for the other chord's full spelling and roles.
G9
G - B - D - F - AG7
G - B - D - F