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Bb9 Chord

Bb9 is a dominant seventh plus C, the ninth. Its full spelling has five different notes, so a practical guitar or ukulele grip may leave out a less essential chord tone.

  • Notes: B flat-D-F-A flat-C
  • Symbol: Bb9
  • V9 in Eb major
  • Seventh and ninth
Switch chordBb9

How to play a Bb9 chord

Notes: Bb - D - F - Ab - C ยท symbol Bb9

  • Root position

    Bb - D - F - Ab - C
    C4C5
  • 1st inversion

    D - F - Ab - C - Bb
    C4C5
  • 2nd inversion

    F - Ab - C - Bb - D
    C4C5
  • 3rd inversion

    Ab - C - Bb - D - F
    C4C5

Where does Bb9 belong?

In Eb major, Bb9 extends the V7 chord before it resolves to the tonic.
Play the role cards to hear how its surrounding chords change the job it does; Diatonic Chords explains the basic numbered roles.

  • In Eb majorDominant with a ninth
    V9

    A V7 with the ninth on top: the same pull to Eb, a fuller sound.

    EbIAbIVBb9V9EbI
  • In Bb bluesFunk and blues home
    I9

    In funk and blues this is a home chord that never has to resolve.

    Bb9I9Eb9IV9Bb9I9F9V9

Progressions to try

  • EbAbBb9Eb

    Bb9 is V9 in Eb major; its seventh keeps the dominant pull while the ninth adds another voice.

  • Bb9Eb9Bb9F9

    Treat the repeated Bb9 as a blues home chord, then hear the other ninth chords answer it.

Which shape should you use?

On guitar, the open shape x1011x is the easiest place to start. The barre shape 686768, at the 6th fret, moves the chord up the neck and sits well between other barre chords.

On ukulele, start with 3243, played at the 2nd fret. 5865 gives a higher version.

On piano, spread the five-note spelling across both hands: B flat-D-F-A flat-C. Move B flat up an octave to reach the first inversion, D-F-A flat-C-B flat; the notes remain the same while the lowest voice changes.

What are the inversions?

The first four notes, B flat-D-F-A flat, form the dominant seventh. C adds the ninth.

  • Root position: B flat-D-F-A flat-C, with B flat lowest.
  • First inversion: D-F-A flat-C-B flat, written Bb9/D if D is lowest in the whole arrangement.
  • Second inversion: F-A flat-C-B flat-D, written Bb9/F if F is lowest in the whole arrangement.
  • Third inversion: A flat-C-B flat-D-F, written Bb9/Ab if A flat is lowest in the whole arrangement.
  • Fourth inversion: C-B flat-D-F-A flat, written Bb9/C if C is lowest in the whole arrangement.

A slash chord names the note in the bass, not merely the lowest note under one hand. Chord Inversions shows how to read that distinction.

How does Bb9 differ from Bb7?

Remove the ninth, C, and the remaining notes form Bb7. The seventh stays, so both chords can still pull toward the same tonic. Try that one-note change on piano, then use the comparer to hear it in the full chord. See Bb7 for the other chord's full spelling and roles.

  • Bb9

    Bb - D - F - Ab - C
    C4C5

    Bb dominant 9

  • Bb7

    Bb - D - F - Ab
    C4C5

    Bb dominant 7

Try another chord