C Minor Chord
Cm places a minor third (E flat) between C and G. It is i in its own minor key, while the same notes can serve as vi in the relative major.
- Notes: C-E flat-G
- Symbol: Cm
- i in C minor
- Minor third
Cm
How to play a C minor chord
Notes: C - Eb - GCm
Root position
C - Eb - G1st inversion
Eb - G - C2nd inversion
G - C - Eb
Where does C minor belong?
The three notes come from the C minor scale, so this chord can act as its home base.
Play the role cards to hear how its surrounding chords change the job it does; Diatonic Chords explains the basic numbered roles.
- Homei
The resting point of C minor. The major V before it makes the return feel final.
CmFmGCmi - The relative minorvi
Same notes as Eb major, a darker color. The vi in countless pop songs.
EbCmviAbBb - The start of ii-V-Iii
The first step of the most common move in jazz, heading to Bb.
CmiiFBb - A soft stand-iniii
It shares two notes with Ab, so it can replace the I without leaving home.
AbCmiiiDbEb
Progressions to try
- CmFmGCm
The major V gives this minor-key return a clear pull into Cm.
- CmAbEbBb
The bVI and bVII chords keep the loop moving without the strong V-to-i return.
- EbCmAbBb
Here Cm is vi in Eb major, a relative-minor turn away from the major tonic.
- CmFBb
Cm begins a ii-V-I in Bb major; follow the bass as it reaches the final chord.
Which shape should you use?
On guitar, start with the open x3101x grip. Let the open strings ring and keep any strings marked x silent. The x35543 shape gives you another position when the neighboring chords sit elsewhere on the neck.
On ukulele, the open shape 0333 is the easiest place to start. The 5333 grip moves the chord to another register.
On piano, play C-E flat-G. Move C up an octave to reach the first inversion, E flat-G-C; the notes remain the same while the lowest voice changes.
What are the inversions?
C is the root, E flat the minor third three semitones above it, and G the fifth seven semitones above it.
- Root position: C-E flat-G, with C lowest.
- First inversion: E flat-G-C, written Cm/Eb if E flat is lowest in the whole arrangement.
- Second inversion: G-C-E flat, written Cm/G if G is lowest in the whole arrangement.
A slash chord names the note in the bass, not merely the lowest note under one hand. Chord Inversions shows how to read that distinction.
How does C major differ?
Keep C and G in place, then raise E flat to E. That single change turns Cm into C. Try that one-note change on piano, then use the comparer to hear it in the full chord. See C for the other chord's full spelling and roles.
Cm
C - Eb - GC
C - E - G