B Minor Chord
Bm places a minor third (D) between B and F sharp. It is i in its own minor key, while the same notes can serve as vi in the relative major.
- Notes: B-D-F sharp
- Symbol: Bm
- i in B minor
- Minor third
Bm
How to play a B minor chord
Notes: B - D - F#Bm
Root position
B - D - F#1st inversion
D - F# - B2nd inversion
F# - B - D
Where does B minor belong?
The three notes come from the B minor scale, so this chord can act as its home base.
Play the role cards to hear how its surrounding chords change the job it does; Diatonic Chords explains the basic numbered roles.
- Homei
The resting point of B minor. The major V before it makes the return feel final.
BmEmF#Bmi - The relative minorvi
Same notes as D major, a darker color. The vi in countless pop songs.
DBmviGA - The start of ii-V-Iii
The first step of the most common move in jazz, heading to A.
BmiiEA - A soft stand-iniii
It shares two notes with G, so it can replace the I without leaving home.
GBmiiiCD
Progressions to try
- BmEmF#Bm
The major V gives this minor-key return a clear pull into Bm.
- BmGDA
The bVI and bVII chords keep the loop moving without the strong V-to-i return.
- DBmGA
Here Bm is vi in D major, a relative-minor turn away from the major tonic.
- BmEA
Bm begins a ii-V-I in A major; follow the bass as it reaches the final chord.
Which shape should you use?
On guitar, start with x24432, a barre at the 2nd fret. Press the barred notes evenly and mute any strings marked x. The 799777 shape gives you another position when the neighboring chords sit elsewhere on the neck.
On ukulele, start with 4222, played at the 2nd fret. The 7675 grip moves the chord to another register.
On piano, play B-D-F sharp. Move B up an octave to reach the first inversion, D-F sharp-B; the notes remain the same while the lowest voice changes.
What are the inversions?
B is the root, D the minor third three semitones above it, and F sharp the fifth seven semitones above it.
- Root position: B-D-F sharp, with B lowest.
- First inversion: D-F sharp-B, written Bm/D if D is lowest in the whole arrangement.
- Second inversion: F sharp-B-D, written Bm/F# if F sharp is lowest in the whole arrangement.
A slash chord names the note in the bass, not merely the lowest note under one hand. Chord Inversions shows how to read that distinction.
How does B major differ?
Keep B and F sharp in place, then raise D to D sharp. That single change turns Bm into B. Try that one-note change on piano, then use the comparer to hear it in the full chord. See B for the other chord's full spelling and roles.
Bm
B - D - F#B
B - D# - F#